One thing that I am sure is that some part of Stanley Kubrick wanted everyone to know what he had done. And that is why he left behind clues that would explain who did it and how.
8). LAST NOTES
Those of you who are familiar with my essay, written in 1999, on 2001: A Space Odyssey called Alchemical Kubrick (see http://www.jayweidner.com/kubrick.htm) already know that I believe that 2001 A Space Odyssey is the greatest esoteric film of all time.
For the first time anywhere, in that essay, I show how Kubrick designed the black monolith to be exactly the same size as the screen on which 2001 was projected. The monolith and the screen are the same thing. The monolith is the screen and the screen is the monolith. It is truly one of the greatest discoveries in cinema history.
When one realizes that Kubrick also used the Front Screen Projection system - not only for the ape scenes in 2001 - but also the fake the moon landings - we can see a double, or even possibly a triple meaning, inside the idea that the screen is the monolith and the monolith is the screen.
If the monolith is that device that enlightens humanity then the Front Screen Projection system, and it's unmistakable fingerprints, is the device that enlightens humanity as to how the Apollo landings were faked.
But also we can see that Kubrick used the faking of the Apollo moon missions as an opportunity to make one great film.
Because he had negotiated a deal where no one would be given oversight on the film, Kubrick was allowed to make whatever movie he desired. Knowing that no one would object to his anti-Hollywood methods, he created the first abstract feature film, the first intellectual movie and the greatest esoteric work of art in the 20 th century.
The President of MGM, at the time in 1968, publicly stated, that he never even saw a rough cut of 2001: A Space Odyssey during the entire four years of production. Does that sound like the manner in which a head of a major studio would act? 2001: A Space Odyssey was one of the most expensive films ever made at that time. Does it even seem remotely possible that no one at MGM even cared to see the continuous progress of the film?
I am sure that 2001: A Space Odyssey is the only film in MGM history where the executives who funded the movie never scrutinized the film.
Why weren't they more interested in this very expensive endeavor?
Because MGM did not fund 2001, the US Government did.
Outside of the Front Screen Projection evidence, which I believe nails the fraud of the Apollo landings; there is other circumstantial evidence that forces the conclusion even more in the direction of Kubrick directing the entire Apollo missions.
In the original release of 2001 there were many credits thanking NASA and many of the aerospace companies that worked with NASA on the moon landings. These credits have since been removed from all subsequent releases of 2001. But for those of us old enough to remember, in the original credits, Kubrick thanks a vast array of military and space corporations for their help in the production.
As these are the same corporations that supposedly helped NASA get the astronauts to the moon - one has to wonder - what kind of help did they gave Stanley? And for what price?
In the film 'Wag the Dog' Dustin Hoffman plays a movie producer hired by the CIA to 'fake an event'. His name in the movie is Stanley. In that movie 'Stanley' mysteriously dies after telling everyone that he wants to take credit for the 'event' that he helped fake.
Stanley Kubrick died soon after showing Eyes Wide Shut to the executives at Warner Brothers. It is rumored that they were very upset concerning that film. They wanted Kubrick to re-edit the film but he refused. I personally was in France when Stanley died and I saw, on French television, outtakes from the forthcoming Eyes Wide Shut. I saw outtakes from several scenes that were never in the finished film.
Warner Brothers has even come out and admitted that they re-edited the film. To this day they refuse to release a DVD of Stanley Kubrick's cut. Not only is this a direct violation of the agreement that Kubrick had with Warner Brothers but also it means that we will probably never see the un-edited version of this film.
One has to wonder what was cut out?
Eyes Wide Shut was released on July 16 th 1999.
Stanley Kubrick insisted in his contract that this be the date of the release.
July 16 th 1999 is exactly 30 years to the day that Apollo 11 was launched.
Happy Fortieth Anniversary Stanley. Now you can rest in peace.
Copyright July 20 th 2009
Sacred Mysteries Productions
For the rest of this analysis, see
How Stanley Kubrick Faked Apollo Moon Landings